Four chars: bringing Chinese idioms to life
Chengyu are four-character Chinese idioms, four characters with full attitude. I found a small niche between language learning and illustration and returned to it daily while stuck in Australia waiting on a U.S. work visa. Neocha Magazine wrote the longer backstory.
Scope
2017 to 2022 · 300+ panels on Instagram (@four_chars) and Dribbble (@four_chars)
My role
- Illustrator and curator
- Community operator
Impact
- Grew past 10k followers on Instagram
- Featured by Neocha and UXCoffee podcast
Flat color and bold one-liners
Poster-flat backgrounds and chunky shapes. I'd pair a textbook idiom with an everyday phrase and try to get a laugh before you zoom in.









Splashes, motion, movie brain
More paint and motion than tight ink, with film stills on my desk and palettes borrowed from whatever I'd watched that week.






Sketchy panels and food crimes
Looser pencils and a lot of food setups. If a pun fell flat in English, I redid the caption instead of hiding behind a literal gloss.









Quieter rooms and outdoor stills
Slower compositions: corners of a room, small props, skies where the metaphor sits in a lamp or a horizon instead of shouting the joke.









Three weird wide posters
Full disclosure: this stretch is shamelessly Nintendo-coded. I drew it while I was neck-deep in The Legend of Zelda: Breath of the Wild. I kept stealing mood from cliffs, shrines, anything that read even slightly Hyrule to me.
Three horizontal pieces with real empty space (mirage, glow, spotlight). I wanted the quiet areas to feel tense, not just padding around a figure.



Grain, gossip, comment-section energy
Relationship phrases, praise jokes, messy comment-thread energy. Grain and noise to match how people actually talk online.






Rough weather, slow weeks, one boba pun
Three later panels: a hard week, slow time, a small milk-tea joke. Same rule: if the English read like homework, I rewrote until the tone landed.



More work
More from this site. Open a tile to read the story.
